- Democracy and Equality in Balinese Gamelan Part I
- What is the difference between a lesson and a workshop at Mekar Bhuana Centre?
- Is listening part of Balinese culture?
- Gongs in Bali Part IV – What is Special about a Gong to Balinese?
- Gongs in Bali Part III – what is characteristic about Balinese gongs?
- Sue Pilla on How do Balinese know which gamelan orchestra to use for which ceremony?
- MekarBhuana on What is the function and origin of Barong Berutuk?
- MekarBhuana on Sample Page
- Ellen Koskoff on Sample Page
- argiro on What is the function and origin of Barong Berutuk?
Monthly Archives: November 2014
The final and most serious category of Balinese singing is called kekawin. Also known as Sekar Agung (big flower) or wirama, these are long songs used to accompany many Hindu rituals such as weddings, tooth filings and death rites. Kekawin … Continue reading
The third category of traditional Balinese singing is more serious ritual singing called kidung, also known as Sekar Madya (Javanese), and do not follow syllabic rules like pupuh that I talked about in the last article. Also, unlike pupuh, there … Continue reading
The second category of traditional Balinese singing are ritual verses called Pupuh or Gaguritan, known also by their Javanese names: Macapat or Sekar Alit. Often expressing a moral message, the verses follow rules about how the syllables are sung and … Continue reading
You may have noticed that Balinese love to sing to express their emotions – both when they are happy and sad. Recently, a Canadian student at our centre wanted to learn some basic Balinese singing from my wife, so I … Continue reading