- Democracy and Equality in Balinese Gamelan Part I
- What is the difference between a lesson and a workshop at Mekar Bhuana Centre?
- Is listening part of Balinese culture?
- Gongs in Bali Part IV – What is Special about a Gong to Balinese?
- Gongs in Bali Part III – what is characteristic about Balinese gongs?
- Sue Pilla on How do Balinese know which gamelan orchestra to use for which ceremony?
- MekarBhuana on What is the function and origin of Barong Berutuk?
- MekarBhuana on Sample Page
- Ellen Koskoff on Sample Page
- argiro on What is the function and origin of Barong Berutuk?
Tag Archives: samara pagulingan
There are around forty different types of gamelan in Bali, each with its own distinct repertoire called ‘gending or ‘tabuh’. These gending may vary in style and sometimes nomenclature from village to village but generally they are recognizable enough for … Continue reading
Balinese gamelan music is seldom notated. Therefore, gamelan musicians almost never learn music from a score as one does in the western tradition. As with a great deal of traditional oriental music, gamelan is learnt by rote, passed on from … Continue reading
In Bali, there are in fact around thirty-five different types of gamelan which could be considered rare. Among the very rarely seen or heard is the sweet-sounding seven tone semara pagulingan, a remnant of the court era. According to research, … Continue reading